German Expressionist Painter, 1867-1956.German painter, watercolourist and printmaker. He was one of the strongest and most independent of the German Expressionists. Nolde belonged to the Dresden-based group known as DIE BR?CKE from 1906 to 1907. Primarily a colourist, he is best known for his paintings in oil, his watercolours and his graphic work. His art was deeply influenced by the stark natural beauty of his north German homeland, and alongside numerous landscapes, seascapes and flower paintings, Nolde also produced works with religious and imaginary subjects.   Related Paintings of Emil Nolde :. | still life with dancers | wheat field | Egypt condemned in the Santa Maria | marsklandskap | citronlunden |
Related Artists:
Schoonover
Frank Earle Schoonover (1877-1972).
Bartholomeus van Bassen
(1590 - 1652) was a Dutch Golden Age painter and architect. Van Bassen was born in Antwerp. Little is known of his early life, but according to the RKD he became a member of the Delft Guild of St. Luke in 1613. In 1622 he moved to the Hague, where he became a member of the The Hague Guild of St. Luke two years later and where he became dean in 1627 and headman in 1636 and 1640. He is known for his architectural works, sometimes with staffage by the painters Anthonie Palamedesz, Esaias van de Velde, and Jan Martszen de Jonge.
Jan van Huijsum
also spelled Huijsum, (April 15, 1682, Amsterdam - February 8, 1749, Amsterdam) was a Dutch painter. He was the brother of Jacob van Huysum, the son of the flower painter Justus van Huysum, and the grandson of Jan van Huysum I, who is said to have been expeditious in decorating doorways, screens and vases. A picture by Justus is preserved in the gallery of Brunswick, representing "Orpheus and the Beasts in a wooded landscape", and here we have some explanation of his son's fondness for landscapes of a conventional and Arcadian kind; for Jan van Huysum, though skilled as a painter of still life, believed himself to possess the genius of a landscape painter. Half his pictures in public galleries are landscapes, views of imaginary lakes and harbours with impossible ruins and classic edifices, and woods of tall and motionless trees-the whole very glossy and smooth, and entirely lifeless. The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains. Some of the finest of van Huysum's fruit and flower pieces have been in English private collections: those of 1723 in the earl of Ellesmere's gallery, others of 1730-1732 in the collections of Hope and Ashburton. One of the best examples is now in the National Gallery, London (1736-1737). No public museum has finer and more numerous specimens than the Louvre, which boasts of four landscapes and six panels with still life; then come Berlin and Amsterdam with four fruit and flower pieces; then St Petersburg, Munich, Hanover, Dresden, the Hague, Brunswick, Vienna, Carlsruhe, Boston and Copenhagen.